Manto, directed by Nandita Das and featuring the brilliant Nawazuddin Siddiqui in the central role, opened to public in India this morning and the first reviews, which are rolling in, are brilliant. The film, which chronicles the troubled writerâ€™s life in the 40â€™s, deals with his inner turmoil and unrest as a result of censorship, political intolerance, poverty, partition and societyâ€™s incapability to deal with the truth. Critics believe that Mantoâ€™s story is as relevant today as it was 70 years ago.
Republic has called the Nawazuddin starrer as “intense and gripping”.
— Republic (@republic) September 20, 2018
India Today calls Nandita Das’s film “a brilliant portrait of a self destructive creator”.
— India Today Showbiz (@Showbiz_IT) September 21, 2018
Times of India gives Manto a 3/5 rating for exploring the events leading up to his doom rather than reflecting more deeply on his psyche. “Watch it for the director’s flawless interweaving of Manto’s poignant writing into her script and watch it for the words â€” spoken and unspoken,”Â Renuka VyavahareÂ writes.
— Times of India (@timesofindia) September 18, 2018
The reviews are, as expected, great. But there’s good news and bad news for the film. Bad news is that apparently, screening is being blocked in parts of India.
— Nandita Das (@nanditadas) September 21, 2018
Cancellation of shows, assumed to be political, has effected the box office collections of the film. Trade Analyst Sumit Kendal reports extremely low occupancy.
#Manto opens with extremely poor occupancy at the box office. Film is merely registering 5-7% occupancy at plexes. Need to show good growth from noon & evening shows to go past â‚¹ 1 cr nett today.
— Sumit kadel (@SumitkadeI) September 21, 2018
Good news is that Manto is in the running, along with Padmaavat, Gold and Raazi, to be India’s official Oscar submission. The Film Federation of India will announce the finalist tomorrow.
We wonder whether Nandita Das’s MantoÂ will release in Pakistan. We saw Sarmad Khoosat’s Manto biopic a couple of years ago and would love to watch and observe the differences in filmmaking.